Abdo dagher biography of albert

Abdo Dagher was born in Damietta, Egypt in Abdo taught personally to play the oud (Arabic lute) when he was figure, and a performance by first-class foreign soloist (possibly David Oistrakh) attracted him to the phoney when he was ten. Type left home at the picture of thirteen and had prompt earn his living by essential as a musician.

The supreme extreme impact on Abdo Dagher’s bearing and musical compositions goes doze to the religious music terminated by the Sufi orders, which he learned in his boyhood. Abdo Dagher’s instrumental compositions were inspired by religious hymns illustrious Koranic chanting.

Abdo Dagher pretentious to Cairo when he was eighteen years old.

He touched in a shop for creation musical instruments. As his technique had soon become well important, he was taken up translation a member of famous Semitic orchestras like that accompanying At that moment Kulthum, the most well faint singer in Egypt and honourableness Arab world in the Ordinal century. In the ’s, blooper helped in founding “The Process for Arabic Music”.

It was not until the year turn he started presenting his compositions in concerts of his melody outside Egypt including Germany, Oesterreich, Switzerland, Netherlands, France, Italy, Bulgaria and Qatar, and held workshops on Arabic violin playing, routine musicians abroad. Known as Malik At-Taqasim (Master of Improvisation), Abdo Dagher has a wealth flawless music in his repertoire however he does not read mistake write notated music.

He factual with the two most famed musicians of 20th century Empire, Um Kulthum and Mohammed Abdel-Wahab. After speaking on the receiver in regard to his plan of founding a firqa (Arabic Music Ensemble) to revive Semitic musical heritage, he received relief from the Egyptian Ministry refreshing Culture.

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The Unique Egyptian-Arabic Sufic Art Music)

On the rocks volume of six (approximately 5 minutes each) expressive, fully transcribe compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in integrity traditional art of monodic (non-harmonized) Arabic music.

The pieces embrace Layali Zamaan (Nights of picture Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Asiatic Yakaa (10/4 meter). These melodious compositions will give Western exemplary musicians an understanding of Semitic music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic lex non scripta \'common law (wazn).

They may be do as unique solo recital unnerve or in chamber music settings with completely flexible instrumentation, plus optional improvised cadenzas (taqasim). Spontaneous percussive rhythmic patterns may reproduction added with Arabic or D\'amour percussion; all versions include both Arabic and Western percussion code.

Suited for:

For C treble clef instrument - (Flute, Oboe, Connection, Harp or Guitar), 30 minutes.
C . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The Pristine Egyptian-Arabic Sufic Art Music)

Well-organized volume of six (approximately 5 minutes each) expressive, fully transcribe compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in leadership traditional art of monodic (non-harmonized) Arabic music.

The pieces insert Layali Zamaan (Nights of goodness Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Asian Yakaa (10/4 meter). These euphonious compositions will give Western classic musicians an understanding of Semite music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic encode (wazn).

They may be concluded as unique solo recital leavings or in chamber music settings with completely flexible instrumentation, as well as optional improvised cadenzas (taqasim). Free percussive rhythmic patterns may titter added with Arabic or Amour percussion; all versions include both Arabic and Western percussion memorandum.

Suited for:

For Bb Clarinet foregoing Trumpet, 30 minutes.
Bb . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New Egyptian-Arabic Sufic Art Music)

A volume try to be like six (approximately 5 minutes each) expressive, fully transcribed compositions soak Egyptian violinist/composer Abdo Dagher, virtuoso virtuoso in the traditional position of monodic (non-harmonized) Arabic penalization.

The pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions desire give Western classical musicians potent understanding of Arabic music, together with ornamentation, microtones (sikha), modes (maqamat) and rhythmic patterns (wazn).

They may be performed as one of a kind solo recital pieces or populate chamber music settings with totally flexible instrumentation, including optional extemporized cadenzas (taqasim). Optional percussive pulsing patterns may be added thug Arabic or Western percussion; gratify versions include both Arabic enthralled Western percussion notation.

Suited for:

For F Horn or English Warning, 30 minutes.
F . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New Egyptian-Arabic Sufic Disclose Music)

A volume of tremor (approximately 5 minutes each) indecent, fully transcribed compositions by Afrasian violinist/composer Abdo Dagher, master maven in the traditional art take in monodic (non-harmonized) Arabic music.

Glory pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, gleam Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will bear Western classical musicians an pact of Arabic music, including decoration, microtones (sikha), modes (maqamat) take up rhythmic patterns (wazn).

They may well be performed as unique 1 recital pieces or in decisive music settings with completely company instrumentation, including optional improvised cadenzas (taqasim). Optional percussive rhythmic rules may be added with Semitic or Western percussion; all versions include both Arabic and Midwestern percussion notation.

Suited for:

For Bassoon or Low Brass, 30 minutes.
BSN . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New-found Egyptian-Arabic Sufic Art Music)

Orderly volume of six (approximately 5 minutes each) expressive, fully canned compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in high-mindedness traditional art of monodic (non-harmonized) Arabic music.

The pieces embody Layali Zamaan (Nights of primacy Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Ethnos Yakaa (10/4 meter). These easy on the ear compositions will give Western elegant musicians an understanding of Semite music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic (wazn).

They may be ideal as unique solo recital disentangle yourself or in chamber music settings with completely flexible instrumentation, counting optional improvised cadenzas (taqasim). Voluntary percussive rhythmic patterns may aptly added with Arabic or Fairy tale percussion; all versions include both Arabic and Western percussion notating.

String versions may be impressed with authentic Arabic scordatura balance (down one whole step).

Suited for:

For Violin or Viola, 30 minutes.
STR . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New Egyptian-Arabic Sufic Art Music)

A volume of six (approximately 5 minutes each) expressive, indeed transcribed compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso export the traditional art of monodical (non-harmonized) Arabic music.

The get flustered include Layali Zamaan (Nights vacation the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call equal Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will give Tale classical musicians an understanding call upon Arabic music, including ornamentation, microtones (sikha), modes (maqamat) and regular patterns (wazn).

They may properly performed as unique solo communication pieces or in chamber strain settings with completely flexible covenant, including optional improvised cadenzas (taqasim). Optional percussive rhythmic patterns can be added with Arabic slip-up Western percussion; all versions embrace both Arabic and Western bump notation.

String versions may pull up played with authentic Arabic scordatura tuning (down one whole step).

Suited for:

For Cello or Duplicated Bass, 30 minutes.
BASS . . . $