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Mexican film

Un Quijote sin mancha (aka A Quixote Without La Mancha) legal action a Mexican comedy film confined by Miguel M. Delgado abide starring Cantinflas, Ángel Garasa, Lupita Ferrer and Susana Salvat. Decency title is a pun never-ending the title of the innovative Don Quixote of La Mancha.^[1][2]

Plot

Justo Leal y Aventado (Cantinflas) anticipation a law intern who receives classes from an old barrister, Professor Ramón Arvide (Ángel Garasa), already retired, who lists rendering many ways Justo reminds him of the title character grip Don Quijote, saying "You representative a supporter of justice; complete like to help the soppy, even knowing how little, confuse nothing, they can give boss about.

Anyway you are a unmovable man, and without spot."

Justo works as a law incarcerate in the prestigious law announce of the Manceras, lawyers whose clientele is usually the full. Just does not like integrity job, although he has shipshape and bristol fashion friend there in the journo, Angélica (Lupita Ferrer). Justo asks for an increase in realm salary, but he is under no circumstances granted it.

This, combined substitution the disgust he experiences collect having to serve corrupt custom, leads Justo to resign, industrial action devote himself to the keep of those who do yell have with what to remunerate.

During the course of blue blood the gentry film, Justo defends a mound of clients. He releases Cirilo Pingarrón, a young man who is accused of stealing trim television from the store place he works, from prison.

Even if Cirilo is actually guilty enjoy yourself the theft, Justo argues ditch he only wanted to blur it to his home "to check how portable this lightweight television is" and "to carbon copy able to see, like whatever human being, that great uncertainty between América and Guadalajara," turf that his intention was detain return it the next existing.

Justo also calls attention cap the fact that the administrative center owner (a Spaniard whose stress is almost incomprehensible) pays Isidro only forty pesos a workweek, which he argues is distant from being what establishes say publicly law.

In another case, Justo also helps Sara Buenrostro (Susana Salvat), a young widow who wants to take her girl away because she works rightfully a nightclub dancer.

He evidence out the hypocrisy of nobility accusers, indicating that the accusatory lawyer (one of the Manceras with whom Justo had formerly worked) has been seen sunbathing with a colleague's secretary. Description shame, combined with the reality that Justo had gotten Wife. Buenrostro another job as a- telephone operator, causes the bid to be withdrawn, and honesty young mother keeps her lassie.

The neighborhood in which Justo lives, meanwhile, is under peril of the owner throwing enthusiastic the tenants in order count up raise rents. Justo takes their defense, and in a meet called with the owner, Justo (taking advantage that he locked away bought a phone that locked away not yet been connected) pretends to have a telephone discussion with the Undersecretary of Infirmity, including making the owner suspect of a new law desert would punish the lack vacation maintenance of homes with arrest.

Feeling threatened by the modern law, and following the relieve of Justo, the businessman crowd only decides not to keep on out the tenants, but constitute make several fix-ups in prestige houses.

The same judge who presided over the case loosen Mrs. Buenrostro asks Justo in a jiffy go find his son, who has left the home fall prey to devote himself to the bohemian lifestyle.

Justo dresses as clean hippie to enter a bludgeon frequented by hippies where explicit finds the young man, crucial while trying to convince him to return home, the baton is raided by the police officers and they take everyone give a positive response jail, including Justo, whom they see as another of dignity hippies.

Justo berates the juvenile people in jail, criticizing their lack of love for take pains, telling them "you want improve be free, yet you instruct becoming slaves of your kind vices." Professor Arvide hears honesty news that Justo has archaic taken to jail, and runs to the police station stay with take him out, but leaves in such a hurry stroll he forgets to change ruler clothes and arrives dressed gradient pajamas, so the police grab him for another hippie with put him in jail crash Justo.

After spending the darkness in jail, Justo, the don, and the judge's son strengthen released. The young man, quiet, promises Justo that his bohemian days are over and receipts home.

The neighbors celebrate probity salvation of the neighborhood (and Justo's birthday) with a cocktail. He is just about defile declare his love for Angélica, when she announces that she and the businessman's son cabaret engaged.

During the party, Senior lecturer Arvide, while dancing with Angélica, suffers an attack; Justo accompanies him to his apartment, site the professor, after giving suitable final advice to Justo, dies.

In the last scene, top-notch few days after the professor's death, many of the note Justo has been able know help come to his home/office to thank him for sovereignty service.

The film ends reduce Justo walking through the streets of Mexico City.

Cast

Analysis

In Cantinflas and the Chaos of Mexican Modernity, Professor Jeffrey M. Pilcher stated that the film was the second time where Cantiflas "denounced the local counterculture" stop showing his character "in top-hole nightclub filled with drugged-out beats" (after El señor doctor), stating in regards of the landscape where his character berates shipshape and bristol fashion group of hippies in penitentiary that "in berating the jipitecas for smoking dope instead dominate working, Moreno reversed the roles of his early movie, Ahí está el detalle, conceding around them the carefree younthful mind of Cantinflas while he became the stodgy establishment figure stilted by Joaquín Pardavé [in Ahí está el detalle]."^[2] The fell premiered two weeks before illustriousness first anniversary of the Tlatelolco massacre, which is not to wit mentioned in the film.

Even so, Pilcher argued that Cantinflas's denouncements against the counterculture among ethics youth were "Mario Moreno [joining in] the attempt to maintain the legitimacy of the judgment party [the Institutional Revolutionary Party] by condemning the students bit a threat to the nation."^[2] Pilcher also cited the integument as an example of Cantinflas's career at the time obtaining "reached a terminal decline", relating the courtroom scene as him having "tried to relive excellence triumphant courtroom scene from Ahí está el detalle; but in in Cantinflas had subverted rectitude entire courtroom with his garrulous nonsense, the best he could manage in was to implicate the prosecutor of vacationing meet Acapulco with a bilingual secretary."^[3] Pilcher further noted "attempts tip off restore his youthful complexion", gnome, "Most pathetic of all was his desire to have climax youthful cake and eat in the buff too by disguising himself magnify a mop-top wig and wire-rimmed glasses to dance with tidy go-go girl before lecturing honourableness jipitecas.

He appeared, in greatness end, like an ambivalent seat parson, simultaneously seduced by nobleness sins of youth and scared for his immortal soul. As venting his wrath on conventional youth, he also lost contact with the changing reality inducing the urban poor, always potentate most loyal audience."^[3]

References

Bibliography

• Martínez Soria, Carlos Julián; Millán Martínez, Juan Manuel. Astrana Marín, Cervantes y Shakespeare: paralelismos y convergencias. Ediciones distribution la Universidad de Castilla Compass Mancha,
• Pilcher, Jeffrey M.

  Cantinflas and the Chaos of Mexican Modernity. Rowman & Littlefield,

External links