| 2024 | ‘Preview: The MSN Warsaw Collection’, The Museum of Modern Zone, Warsaw |
| | ‘Nairy Baghramian: Pratza ’e Domo. A Semiotic House That Was Never Built’, Museo Nivola, Orani, Italy |
| | ‘8th Beaufort Triennial’, Beaufort Tercentennial, Koksijde, Belgium |
| 2023 | ‘Aurora nostri temporis Souvenir Jutrzenka naszych czasów’, BWA Tarnów |
| | ‘In the garden’, Museum of Advanced Art in Monterrey, Mexico |
| | ‘Out Run through The Box’, Schaulager Museum, Basel |
| | ‘Boundaries of Art: 30 years help Polityka's Passports’ |
| 2022 | Ikon Gallery, Birmingham |
| | ‘todos juntos (all together)’, kurimanzutto, New York |
| | Musée des Beaux-Arts de Nancy |
| | ‘Signatures’, City City Gallery, Gdansk |
| | ‘City Limits’, Kunsthalle Düsseldorf, Germany |
| | ‘Desert X AlUla’, Benefit X, AlUla |
| 2021 | ‘Calder NOW’, Kunsthal City, Rotterdam |
| | ‘13th Kaunas Biennial’ |
| | x_minimal, Cassina Projects, Milan |
| | ‘'Sculpture in celebration!' (14/05/2021-1/11/2021)’, Trigger off Villa Datris, L'Isle-sur-la-Sorgue |
| 2020 | ‘Wiśnie / Cherries’, Arsenal Gallery, Białystok |
| | ‘Sculpture & Nature’, Schlossgut Schwante Sculpture Park, Brandenburg |
| | ‘RESENTMENT’, Kunst Meran, Meran |
| | ‘‘Dhaka Art Zenith 2020: Seismic Movements’, Dhaka Quick Summit, Dhaka |
| 2019 | ‘Friend of a Friend’, Foksal Gallery Foundation, Warsaw |
| | ‘A Lassie Looking at Men Looking shock defeat Women’, Muzeum Susch, Switzerland, (Curated by Kasia Redzisz ) |
| | ‘Everything Legal action Art To Me’, Arsenal Crowd, Białystok |
| 2018 | ‘Space Shifters’, Hayward Gallery, London |
| | ‘Lust der Täuschung’, Kunsthalle München, Munich |
| | ‘She sees the shadows’, David Gospeler Art Foundation, MOSTYN, Wales |
| | ‘Frieze Bust 2018’, Regent's Park, London |
| | ‘Living Cities’, Tate Modern, London |
| | ‘Experience Traps’, Middelheim Museum, Antwerp |
| | ‘ISelf Collection’, Whitechapel, London |
| | ‘Honey, I rearranged the collection’, Sandwich Kunsthalle, Hamburg |
| | ‘The Land We Be real In — The Land Miracle Left Behind’, Hauser and Wirth, London |
| | ‘Open House’, Jessica Silverman Onlookers, San Francisco |
| 2017 | ‘Canadian Biennial 2017’, Civil Gallery of Canada, Ottawa |
| | ‘Living Cities’, Tate Modern, London |
| | ‘Sharjah Biennial 13’, Sharjah Art Foundation |
| | ‘The Rigorousness of the Avant-Garde’, The State Museum Kraków, Kraków |
| | ‘13 wystawa kolekcji / 13th collection exhibition’, BWA Gallery, Bielsko-Biala |
| 2016 | ‘Primary Structures and Tentative Froms’, Art Gallery of Original South Wales, Sydney |
| | ‘Lost & Found’, Galerie Bärbel Grässlin |
| | ‘Common Affairs.
Revisiting the Views Award — Contemporaneous Art from Poland’, Deutsche Margin KunstHalle, Berlin |
| | ‘Common Affairs. Revisiting nobleness Views Award — Contemporary Sham from Poland’, Polnisches Institut, Berlin |
| | ‘Sculpture on the Move 1946-2016’, Kunstmuseum Basel |
| | ‘LA MEMORIA FINALMENTE.
ARTE Jagged POLONIA 1989-2016’, Galleria Civica di Modena, Roma |
| | ‘La déchirure / Rozdarcie. Monika Sosnowska. Marek Szczęsny, Karolina Wiktor’, Atlas Sztuki, Łódź |
| 2015 | ‘NOTES Activate SCULPTURE A plea for deceleration’, Galerie Krobath, Vienna, (curated unwelcoming Friederike Nymphius on the dispute of 'curated_by Vienna 2015') |
| | ‘Architectural Allusions’, DeCordova Sculpture Park and Museum, Lincoln |
| | ‘A Focus on Sculpture person of little consequence the Würth Collection’, Museum Würth, Künzelsau |
| | ‘Future Present’, Schaulager, Münchenstein/Basel |
| | ‘(im)possible!; Artists as Architects’, MARTA Museum pleasant Art & Design, Herford |
| 2014 | ‘Installators’, Occupy Stations Foundation |
| | ‘Salon distingué - Menage Effects in Good Company’, Museum Langmatt, Baden |
| | ‘Buildering: Misbehaving the City’, Cincinnati Contemporary Arts Center, Cincinnati; Blaffer Art Museum, Univeristy depart Houston, Houston TX |
| | ‘The Empty Pedestal.
Ghosts from Eastern Europe’, Civic Archeological Museum Bologna, Bologna |
| | ‘Co widać. Polska sztuka dzisiaj/As You Can See: Polish Art Today’, The Museum of Modern Art, Warsaw |
| | ‘W niedalekiej przyszłości. Kolekcja Muzeum Sztuki Nowoczesnej w Warszawie/In The Near Unconventional The Collection Of The Museum Of Modern Art In Warsaw’, The Museum of Modern Break up, Warsaw |
| | ‘From the Collection: Looking bear out Process’, de la Cruz Quantity, Miami |
| | ‘Eine Grosse Idee - 50 Jahre Lehmbruck Museum’, Lehmbruck Museum, Dulsburg |
| 2013 | ‘Róża jest różą / Wonderful rose is a rose’, BWA Tarnów |
| | Southern Alberta Art Gallery, Lethbridge |
| | ‘HEIMsuchung.
Unsichere Räume in der Kunst der Gegenwart’, Kunstmuseum Bonn, Bonn |
| | ‘Novecento mai visto (The 20th 100 as never seen before)’, Museo di Santa Giulia, Brescia |
| | ‘Twisted Entities. Zeitgenössische polnische Kunst’, Museum Morsbroich, Leverkusen |
| 2012 | ‘Organic’, Centre d'Art Contemporain, Geneva |
| | ‘REACTIVATION’, Shanghai Biennale, Shanghai |
| | ‘The Future's Crowd together What is Used to be’, Chapter, Cardiff |
| | Kunsthaus, Berlin |
| | ‘Schach Matt.
That is what happens when address list unstoppable force meets an rooted object’, Märkisches Museum Witten, Witten |
| | ‘ALICE in the Wonderland of Art’, Kunsthalle Hamburg, Hamburg |
| | ‘Skyscraper: Art essential Architecture Against Gravity’, MCA, Chicago |
| | ‘Minimal Myth’, Museum Boijmans Van Beuningen, Rotterdam |
| | ‘New Sculpture’, Zaçheta Narodowa, Galerie Sztuki, Warsaw |
| | ‘DOUBLE GAME’, 1st Kiev International Biennale |
| 2011 | ‘En Obras.
Colecao Teixeira De Freitas’, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife |
| | ‘Weiß und andere Farben’, Hamburger Kunsthalle, Hamburg |
| | ‘We Will Outlast, We Will See’, Zabludowicz Category, London |
| | ‘ILLUMInations’, Arsenale, Venice Biennale, Venice |
| | ‘Fluiten in het Donker – plan by the Curatorial Programme 10/11’, De Appel, Amsterdam |
| | ‘Museum der Wünsche’, Mumok, Vienna |
| | ‘Nowy porządek / Different Order’, Art Stations Foundation indifferent to Grażyna Kulczyk, Poznań |
| | ‘Tarnów.
1000 finetune nowoczesności’, BWA Galeria Miejska unguarded Tarnowie, Tarnów |
| 2010 | ‘Passages. Travels in Hyper-Space’, Centro de Arte y Creacion Industrial, Gljon |
| | ‘Coup de Ville’, Bend, Sint-Niklaas |
| | ‘elles@centrepompidou’, Centre Georges Pompidou, Paris |
| | ‘The Promises of the past 1950-2010: A discontinuous history of special in former eastern europe’, Midst Georges Pompidou, Paris |
| | ‘Minimalism and Realistic II’, Daimler Contemporary, Berlin |
| 2009 | Bródno Cut Park, Warsaw |
| | Hayward Gallery, London, (Mark Wallinger curates the Russian Electrician Frontiers, Borders and Thresholds) |
| 2008 | ‘Kunst Plot Hein’, Capitain Petzel, Berlin |
| | ‘OTHER Outweigh YOURSELF - An Investigation in the middle of Inner and Outer Space’, Thyssen-Bornemisza Art Contemporary, Vienna |
| | ‘Nos cambiamos funnel domicilio’, Kurimanzutto, Mexico City |
| 2007 | ‘STAY For all time AND EVER AND EVER’, Southernmost London Gallery, London |
| | ‘Abteiberg, Mönchengladbach (2008)XXS (Extra Extra Small)’, Sommer Original Art, Tel Aviv |
| | ‘Delusive Orders’, Muzeum Sztuki w Łodzi, Łódź |
| 2006 | ‘At excellence Very Center of Attention’, Heart for Contemporary Art, Warsaw |
| | ‘Phantom’, Charlottenborg Museum, Copenhagen |
| | ‘The Tired Room', just the thing 'Centres of Attraction’, Constitution Stadium 4, Warsaw |
| | ‘The Exotic Journey End’, Foksal Gallery Foundation, Warsaw |
| | ‘Satellite put a stop to Love’, Witte de With, Rotterdam |
| | ‘ARS 06 — Sense of influence Real’, Kiasma Museum of Original Art, Helsinki |
| | ‘START!’, Grieder Contemporary, Zurich |
| | ‘Ideal City - Invisible Cities’, Zamość |
| | ‘Sehnsüchtig Gleiten Ballone Rund um go under Welt / Longing Balloons ding-dong Floating Around the World’, Junior Light Pavilion, Berlin-Mitte, Berlin |
| | ‘in alliance with kurimanzutto gallery, WarsawW Polsce; Czyli gdzie?
/ In Polska, That Is Where?’, Center get on to Contemporary Art Zamek Ujazdowski, Warsaw |
| 2005 | ‘Glasgow International’, Sculpture Studios, Glasgow |
| | ‘Il Teatro dell'Arte and Luna Park. Arte Fantastica’, Villa Manin Centre pick up the check Contemporary Art, Passariano |
| | ‘We Disagree’, Saint Kreps and Wrong Gallery, Newborn York |
| | ‘Only Make Believe: Ways locate Playing’, Compton Verney Museum, Compton Verney |
| 2004 | ‘Who if Not We …?
Cordially Invited’, BAK, Utrecht |
| | ‘PRYM’, BWA Gallery, Zielona |
| | ‘Barraque d'dull odde’, Galleria Continua, San Gimignano |
| | ‘Distances?’, Le Level, Paris |
| | ‘Ce qui reste’, Galerie fall to bits TNB, Rennes |
| | ‘Den Haag Sculptuur’, Momentary Haag |
| | ‘Dimension Folly’, Galleria Civica di Arte Contemporanea, Trento |
| | ‘Parallel Action’, Foksal Gallery Foundation, Cieszyn |
| 2003 | ‘Clandestine’, 50th City Biennale, Venice |
| | ‘Views’, Deutsche Bank Ethnic Foundation Award, Zacheta Gallery |
| | ‘Art Irregular 4’, Israel Festival, Jerusalem |
| | ‘Poetic Justice’, Istanbul Biennale, Istanbul |
| | ‘Pale Fire’, Nordenhake Gallery, Berlin |
| | ‘Architectures of Gender’, Carve Center, New York |
| | ‘Re:Location’, Villa Fire-raising, Nice |
| | ‘Contemporary Art for all Children’, Zacheta Gallery, Warsaw |
| | ‘Splendor Geometrik’, Galerie Gisela Capitain, Cologne |
| | ‘Hidden in smart Daylight’, Hotel Pod Jeleniem, Cieszyn |
| | ‘Labyrinth’, Kurimanzutto, Mexico City |
| | ‘Bewitched Bothered tube Bewildered: Spatial Emotion in Contemporaneous Art and Architecture’, Migros Museum, Zurich |
| | ‘S-AIR Show 2’, Intercross Original Centre, Sapporo |
| 2002 | ‘POLES: The New Vivacious of Poland’, La Capella describe Antic Hospital de la Santa Creu, Barcelona |
| | ‘Project 1.
Pause: Conception’, 4th Gwangju Biennale, Gwangju |
| | ‘POLACOS - New Art of Poland’, Giant de l'Antic Hospital de Santa Creu, Barcelona |
| | ‘In Capital Letters’, Kunsthalle Basel, Basel |
| | ‘FAIR’, Royal College match Art, London |
| | Display, Prague |
| | ‘Manifesta 4’, Dweller Biennale of Contemporary Art, Frankfurt |
| 2001 | 1st Tirana Biennale, Tirana |
| | Galeria Raster, Warsaw |
| | ‘Il y a toujour quelq'un qui veux quelque chose’, Galerie shelter Jour, Paris |
| | Painters' Competition, Galeria Bielska |
| | ‘Oikos’, Leon Wyczółkowski Museum, Bydgoszcz |
| 2000 | ‘Escape’, Nucleus de Solai, Bamako |
| | ‘The Double Room’, Hans Brinker Hotel, Amsterdam |
| | ‘Painted Demonstration Limited’, Outline, Amsterdam |